We’re back from spring break with a new video!
Drummer Julien Audigier and Audio Zéro put together the Wikidrummer video, an exploration of different environments and the effect these spaces had on drum sounds.
In this video, we break down the science behind why all of these spaces sound different. We’ll also show you our own reverb experiment, and how you can incorporate physical spaces into your music, even if it was recorded somewhere else.
Can you really hear a difference between analog and digital recording? What about in synthesis? In a personified rap battle between analog and digital, who would win?
NYU students, having nothing better to do at our ivory tower of academia (I mean, it’s not like we live in one of America’s biggest commercial and cultural centers or anything) love contemplating age-old questions such as these. You may remember some freshmen who previously did ponder whether was better to auto-tune or to not auto-tune. And while these questions may prove inconclusive, the best part is, as always, in the debate.
So our freshmen rose to the occasion once again to bring forth this rousing performance; a call to arms for their fellow rap battlers. And a cry heard throughout the land did ring: Who won? Who lost? You decide!*
*No seriously, leave a comment below.
Since their invention in 1966, wah pedals have had a prolific history in modern rock music. From Jimi Hendrix’s “Voodoo Child” to David Gilmour in “Echoes” (where it was used backwards). But what goes into a wah pedal? How does it get that distinctive, “cry baby” sound? Let’s get under the hood and find out.